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ARTISTS
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Lynette Bester
Le Marteau Sans Maitre (The Hammer without Master), 2007
One disassembled stand up ppiano, remade into a kinetic motorized sculpture which generates its own sound
Selected Exhibitions and Projects
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Sculptor Lynette Bester was born in Cape Town in 1978. She studied at the University of Stellenbosch where she completed an M.A. in Fine Arts (Cum Laude) in 2002. Bester, who has had solo exhibitions at The Cold Room Studio and Blank Projects, has been in numerous group exhibitions at such venues as Cape Town's Association of Visual Arts, Art B in Bellville, and the Castle of Good Hope. She also participated in Afetos Roubados, a group exhibition organized by the Goethe Institute in Brazil. A finalist in the 2006 Sasol New Signatures Art Competition at the Pretoria Art Museum, Bester had two sculptures chosen for that event. She is currently Head of the Department of Theory and a lecturer at Ruth Prowse School of Art. "An inspirational blend of mathematics and art", her work is informed by the exploration of volumetric puzzles. This has led to a recent body of work in which Bester "de-constructs" and "re-constructs" such found objects as violins and pianos. In this process she actually takes the objects apart and reassembles and re-configures them in a new and different way. In 2007 Bester casted a complete tree in hand-made paper (from corporate waste) for the Association of Visual Arts exhibition, Paper and Me. Here the artist's material had a direct relationship between the source of the material, and the product of the artist's process. This work points to another interest of Lynette Bester - the transference of information to an art object. Lynette Bester lives and works in Cape Town.
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IN STORE NOW
South African artists on seeing, thinking, making, living...
Sean O'Toole
Writing in the December 2008 issue of Art South Africa, art historian Marilyn Martin lamented "the dearth of texts by artists" in recent times. The March 2010 edition of Art South Africa, which will be launched in Cape Town at Design Indaba Expo(February 26-28, stand B11), directly addresses this absence.
The most complete and up-to-date monograph on the celebrated painter's work.
Editor: Dominic van den Boogerd
Marlene Dumas is celebrated around the world for her highly charged depictions of the human form. In her oil paintings, drawings and watercolours she captures the body in all its states, from pain to pleasure, eroticism to pathos, birth to death. These works often focus on the body as a contested site with regard to issues such as race, pornography and illegal immigration, but they also address such timeless themes as mortality, sexuality and childhood. Above all, they express a boundless faith in the power of painting to communicate complex psychological realities with eloquence and humour.
Three Essays on Photography
Editor: Sean O'Toole
The past decade has seen a number of South African photographers rise to local and international prominence. The Summer 2009 issue of Art South Africa, on shelf from December 1, 2009 through February 28, 2010, profiles three highly awarded talents: Pieter Hugo, Mikhael Subotzky and the collaborative duo of Adam Broomberg and Oliver Chanarin.
FORTHCOMING PUBLICATIONS
The Pretoria Institute for Architecture has announced that the 2009 Award for Architecture is conferred on this publication which showcases good examples of architecture.
The new issue is live, and it features a smorgasbord of things you can get your teeth into... Keep your scrolling finger ready:
"In tough economic times, print your own money!
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