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Group, 20 October - 3 December 2007
Insomnia 1
Tanya Poole, 2007
Digital photography onto Hahnemühle paper, 400 x 266 mm
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Click on a thumbnail for further information.
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 Tanya Poole Digital photography onto Hahnemühle paper |
 Tanya Poole Digital photography onto Hahnemühle paper |
 Tanya Poole Digital photography onto Hahnemühle paper |
 Tanya Poole Digital photography onto Hahnemühle paper |
 Leora Farber Archival pigment printing on Photo Smooth Cotton paper, 315 g |
 Nigel Mullins Oil on canvas, mirror and glass Sold |
 Karen Stewart Watercolour on Saunders Waterford |
 Tanya Poole Digital photography onto Hahnemühle paper |
 Jane Eppel copper plate etching Sold |
 Jane Eppel copper plate etching Sold |
 Jane Eppel copper plate etching |
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 Jane Eppel copper plate etching |
 Jane Eppel copper plate etching Sold |
 Amelia Smith Lightjet Print |
 Lynette Bester Charcoaled wood |
 Clinton Friedman Photography printed on archival paper |
 Amelia Smith Lightjet print, edition 6/20 |
 Nigel Mullins Oil, aluminum, paint and plastic eyes on canvas Sold |
 Cara van der Westhuizen Lithographs on glass with handpainted purpose-made cabinet |
 Pierre Fouché Crochet cotton, monofilament, sugar |
 Ethel May Dixie lithographic prints on art paper |
 Ethel May Dixie lithographic prints on art paper |
 Ethel May Dixie lithographic prints on art paper |
 Ethel May Dixie lithographic prints on art paper |
 Ethel May Dixie lithographic prints on art paper |
 Ethel May Dixie lithographic prints on art paper |
 Ethel May Dixie lithographic prints on art paper |
 Leora Farber Archival pigment printing on Soft Textured Fine Art paper, 315 g |
 Leora Farber Archival pigment printing on Photo Smooth Cotton paper, 315 g |
 Leora Farber Archival pigment printing on Photo Smooth Cotton paper, 315 g |
 Leora Farber Archival pigment printing on Photo Smooth Cotton paper, 315 g |
 Leora Farber Archival pigment printing on Photo Smooth Cotton paper, 315 g |
 Leora Farber Archival pigment printing on Photo Smooth Cotton paper, 315 g |
 Leora Farber Archival pigment printing on Photo Smooth Cotton paper, 315 g |
 Leora Farber Archival pigment printing on Photo Smooth Cotton paper, 315 g |
 Leora Farber Archival pigment printing on Photo Smooth Cotton paper, 315 g |
 Leora Farber Archival pigment printing on Photo Smooth Cotton paper, 315 g |
 Norman O'Flynn Cement, wood, enamel |
 Barbara Wildenboer Inkjet print on canvas, pressed flowers, pins, thread, in redgum frames |
 Elmarie Constadius Silkscreen on glass and paper |
 Tamlin Blake Reverse painting on laser cut Perspex, fabric, mixed media |
 Natalie Payne Digital photograph on 100% cotton rag paper |
 Leora Farber Archival pigment printing on Soft Textured Fine Art paper |
 Svea Josephy Colour photograph |
 Tamlin Blake Reverse painting on laser cut Perspex, fabric, mixed media |
 Tamlin Blake Reverse painting on laser cut Perspex, fabric, mixed media |
 Tamlin Blake Reverse painting on laser cut Perspex, fabric, mixed media |
 Tamlin Blake Reverse painting on laser cut perspex, fabric, mixed media |
 Tamlin Blake Reverse painting on laser cut perspex, fabric, mixed media |
 Kelly Higgs Watercolour on handpressed watercolour paper |
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 Natasja de Wet Mixed media (fabric, latex, gauze, bandages, rubber, paper) |
 Karen Stewart Watercolour on Saunders Waterford |
 Tanya Poole Digital photography onto Hahnemühle paper |
 Elmarie Constadius cast glass, metal, string |
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IN STORE NOW
South African artists on seeing, thinking, making, living...
Sean O'Toole
Writing in the December 2008 issue of Art South Africa, art historian Marilyn Martin lamented "the dearth of texts by artists" in recent times. The March 2010 edition of Art South Africa, which will be launched in Cape Town at Design Indaba Expo(February 26-28, stand B11), directly addresses this absence.
The most complete and up-to-date monograph on the celebrated painter's work.
Editor: Dominic van den Boogerd
Marlene Dumas is celebrated around the world for her highly charged depictions of the human form. In her oil paintings, drawings and watercolours she captures the body in all its states, from pain to pleasure, eroticism to pathos, birth to death. These works often focus on the body as a contested site with regard to issues such as race, pornography and illegal immigration, but they also address such timeless themes as mortality, sexuality and childhood. Above all, they express a boundless faith in the power of painting to communicate complex psychological realities with eloquence and humour.
Three Essays on Photography
Editor: Sean O'Toole
The past decade has seen a number of South African photographers rise to local and international prominence. The Summer 2009 issue of Art South Africa, on shelf from December 1, 2009 through February 28, 2010, profiles three highly awarded talents: Pieter Hugo, Mikhael Subotzky and the collaborative duo of Adam Broomberg and Oliver Chanarin.
FORTHCOMING PUBLICATIONS
The Pretoria Institute for Architecture has announced that the 2009 Award for Architecture is conferred on this publication which showcases good examples of architecture.
The new issue is live, and it features a smorgasbord of things you can get your teeth into... Keep your scrolling finger ready:
"In tough economic times, print your own money!
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